Quotation and Citation
1. Always introduce quotations or
paraphrased material so that the reader will know that the material is being
drawn from another
source‑‑that it is not yours.
According to Nicholas Capaldi: "It
is almost a definition of rationality to say that a man is rational to the
extent that he will tell
you under what circumstances he will change his mind" (139).
Michael
Gilbert asserts that there is no point in arguing with someone who refuses to
backup his assertions with
reasons (29).
2.
Always make sure that all quotations are exact, and
that paraphrases are indeed paraphrases and not simply direct
quotations with one or two
words changed. See your handbook for proper methods of paraphrasing.
3.
Be sure to integrate phrasal quotations into your
sentences properly so that ungrammatical sentences are not
created. You may change
words in a quotation so that it can be incorporated grammatically into your
sentence, but you should always
enclose such changes in brackets. Keep such changes to a minimum.
Source: Yet, having a grip on logical fundamentals, Aquinas never
forgot that there can be no place for
self-contradiction
in any authentic quest for truth.
Antony Flew directly states the principle of rationality when he says
"that there can be no place for self-contradiction in
any
authentic quest for truth" (17).
Speaking of Aquinas' grasp of the fundamental principle of reason,
Antony Flew says that "[he] never forgot that there
can be no
place for self‑contradiction in any authentic quest for truth” (17).
4.
Use ellipses (spaced dots) to
indicate omissions in quotations so that you do not misquote your source.
Place such
ellipses in brackets. When integrating a quotation into your sentence,
you need not indicate omissions at the beginning
of your quotation.
Source: A person unaware of advertising's claim on him or
her is precisely the one most defenseless against the
adwriter's
attack. Advertisers delight in an audience which believes ads to be
harmless nonsense, for such an
audience is rendered defenseless by its
belief that there is no attack taking place. The purpose of classroom study
of advertising is to raise the level of awareness about the persuasive
techniques used in ads.
"A person unaware of advertising's claim [. . .] is precisely the
one most defenseless against the adwriter's attack. [. . .] The purpose of
classroom study of advertising is to raise the level of awareness about the
persuasive techniques used
in ads" (Schrank 323).
Schools should promote study of advertising " to raise the level of
awareness about the persuasive techniques used in
ads"
(Schrank 323).
5.
Use a colon to introduce a quotation that
is independent from the structure of the main sentence; however, use a
comma
after a verb such as says, exclaims, or notes:
Source: A distinction has always been drawn between rhetoric that
appeals to reason and rhetoric that is directed to
the
nonrational side of human nature.
A current textbook puts it this way: "A distinction has
always been drawn between rhetoric that appeals to reason and
rhetoric
that is directed to the nonrational side of human nature" (Cavender and
Kahane 87).
However, Nancy Cavender and Howard Kahane say, “A distinction has always
been drawn between rhetoric that
appeals to
reason and rhetoric that is directed to the nonrational side of human
nature" (87).
6.
Follow quotations or paraphrased material
with parenthetical documentation giving the exact page number of the
source from
which material has been taken. If the name of the author has not been
given in the introduction to the
material,
the author's last name must also be included in the parenthesis. Do not include
the word page, or the
abbreviation
p.See the examples under number 5.
7.
When you want to quote the words of a person
that you find quoted in a source, you should introduce the quotation by
giving the
name of the author of the quotation and follow the quotation with parenthetical
reference to the source
preceded by qtd.
in (quoted in).
We should remember what Gustave Flaubert said about art and emotion:
"One must not always think that feeling is
everything. Art is nothing without form" (qtd. in Spurgin 244).
8.
If a quotation is a long one, running over
four lines of text, set it off by indenting it two tabs from the left
margin,
double‑spacing it, and dropping the quotation
marks.
In "Reports, Inferences,
Judgments," S.I. Hayakawa maintains that most student papers are filled
with judgments:
A judgment ("He is a fine boy," "It was a beautiful
service," "Baseball is a healthful sport," "She is an
awful
bore") is a conclusion, summing up a large number of previously observed
facts. The reader is probably
familiar with the fact that students almost always have difficulty in writing
themes of the required length because
their ideas give out after a paragraph or two. The reason for this is that
there is little left to be said. When the
conclusions are carefully excluded, however, and observed facts are given
instead, there is never any trouble
about the length of papers; in fact, they tend to become too long, since
inexperienced writers, when told to
give facts, often give far more than are necessary, because they lack
discrimination between the important and
the trivial. (122)
The
Works Cited should always go on a separate page at the end of your
paper. Entries start on the margin and are double-spaced throughout.
Second and subsequent lines are indented one tab space.
Works Cited
Capaldi, Nicholas.
The Art of Deception. 2nd ed. Buffalo: Prometheus, 1979.
Cavender,
Nancy and Howard Kahane. Argument and Persuasion: Text and Readings
forWriters. Belmont, Ca.:
Wadsworth, 1989.
Flew, Antony. Thinking
Straight. Buffalo: Prometheus, 1975.
Gilbert, Michael A. How
to Win an Argument. New York: McGraw‑Hill, 1979.
Hayakawa,
S.I. "Reports, Inferences, Judgments." Language in Thought
and Action. 4th ed. New York: Harcourt, 1978.
Rpt. in Spurgin 117‑22.
Schrank,
Jeffrey. "The Language of Advertising Claims." Media and
Methods. Rpt. in Spurgin 323‑29.
Spurgin, Sally de
Witt. The Power to Persuade. 2nd ed. Englewood Cliffs:
Prentice, 1989.